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LIVE/T
E S T tom
bruno drums unedited concert recordings from the band's 1998 american tour. 1. baltimore
2 (54:10) wire magazine records of the year 2000, jazz ***(*) "That Daniel Carter & Sabir Mateen have been playing together for years is clearly evident & underscored throughout Live/TEST. What a pleasure it is to hear two masters coming together as one. Though they have distinctly different playing styles (there is no mistaking solo Mateen for solo Carter) their counterpoint creates both a menacing, tumbling sprawl & a composure that seems conducted if not read, what with its rhythmic unisons & clearly deliberate lines. At first I wasn't terribly taken by Tom Bruno's drumming. As 'Baltimore 2' progresses, the music-- & by extension his playing-- gets to the point where the question of individual style gives way to whether one is sufficiently coming to terms with the exigencies at hand. In this instance, the more hectic the situation, the more numerous & pressing the musical exigencies, the more convincing Bruno becomes. While he is not an immediately distinctive drummer, he is an effective one. Matt Heyner maintains an even keel without capitulating to the seductive lure of the free-bop walk. His lines & solos are more involved rhythmically than harmonically, though discerning his harmonic choices, due to the intensity of the two horns, is difficult. That's not to say Heyner is lost in the fray, just that he rarely rushes to the head of the pack. Given the relatively traditional gestalt of the music, support is the role of this bassist. Heyner's playing would be out of place were it to be anything other than what it is." --stanley zappa, bananafish "twin sax quartets can be confusing as too-similar voices vie for the lead. daniel carter & sabir mateen work well together. while one is building to a skronk climax, another is skipping about, lightening the tone with references to tom bruno's fantastically active & bouncing drums. bassist matthew heyner completes a quartet that, having started as a busker's project, looks set to help redefine jazz as an expressive medium. test have the poise & reality that characterizes unsigned rock bands. a jazz scene fixated on somnolent classicism won't thank them for that, but for those needing a wake-up call, it's a blast." --ben watson, hi-fi news & record review "recorded live from a fall tour through the eastern united states, live finds this exhilarating group in fine form. it can be hard to believe that four musicians can make such a singular clatter, but these fellows excel at ecstatic screeches and a muscular intensity that shocks the system. to their credit, they can also tone it down with some deft and suave forays. the end product is bound to please those who are immersed in free jazz. the longer of the two tracks clocks in at almost an hour, but rarely tires, due in large part to the incredible diversity of the musicians. while this cd is a fairly "typical" session (to the extent that you can ever call a free-flying, take-no-prisoners approach "typical") for this group, it is an outstanding example of one of the most exciting free-improvisation groups making the rounds." -- steven loewy, all music guide |
